ŽIGA LOZAR

Technical Sound Designer

Beep & Bumper

Xbox Game Camp Belgium - Game jam 2026

- Winner in one of the three categories
- Sound designer, collaboration with a composer and audio programmer.
- Designing sound effects ready for in-engine integrationPlay the game!

Rodentia

Student short animated film - DAE 2026

Rodentia is a 3D animated short film with a stop-motion feel about a rat doll searching for love.- Sound design lead, collaboration with a composer
- Voice director, collaboration with voice actors

AMZS

Student Commercial - IAM 2023

College hosted student commercial contest - collaboration with a car insurance company- Winner of the competition
- Recording audio engineer, responsible for audio on the project
- Voice director, collaboration with voice actors in a studio

ŽLEP - EP

Graduation work - IAM 2023

I made an EP for graduation work replacing acoustic drums with my beatbox samples. The challenge here was to manipulate those beatbox samples to have them sit well in the mix.- Recording audio engineer, working with Pro Tools
- Working in a studio environment, utilizing outboard gear to record/process vocals & instruments
- Mixing & Mastering tracks

Showreel 2026

Dragon's Dogma 2 · Dorfromantik · Sifu · Dead Space Remake

Contents:
- Spell redesign
- Creature redesign
- UI redesigns
- Combat redesign (with own recordings)
- Gore redesign

Showreel 2025

OVERWATCH 2 (Freja, Winston) · TITANFALL 2 · WIPEOUT OMEGA COLLECTION

Contents:
- Gun redesigns
- Gameplay redesign
- UI redesigns
- Combat redesign

DAED

Unity In-Engine Implementation

Features include:
- Sound occlusion
- Dynamic Ambiences
- Dynamic reverb
- Volumetric audio sources
- Directional audio

Ellen

Unity Wwise Implementation

Features include:
- Adaptive music
- Dynamic ambiences
- Dynamic reverb

Beep & Bumper

Xbox Game Camp Belgium - Game jam 2026

Sound design showcase

ŽIGA LOZAR

Technical Sound Designer

/ʒiɡə/

Hi, I'm Žiga. Audio engineering graduate now specialising in Game Sound Integration. I work across the full pipeline using Reaper, Audio Middleware and game engines like Unity and Unreal, building on two years of hands-on audio engineering experience.Outside of integration, I bring a broader creative background to the table. Music production, mixing, sound design, and solid footing in visual software. That mix of audio and visual thinking shapes how I approach every project.Still learning, but deliberately focused on the skills that matter for building immersive technically sharp game audio. My goals are to work in a specialized field as a technical sound designer and build my own sound effects library.

• Curriculum Vitae